About The Artist.

As an artist, I was always impressed with several historical art styles that used distorted, abstract, surreal, and sometimes bizarre elements, in mechanical, geometrical, machine-like form. In the formal art world, these different styles are known as Cubism, Abstractism, and Surrealism.

Each of these art styles made a significant impact on art long ago, and they continue to influence my art today, in the modern, digital era.

Digital Art is defined as any type of artist inspired method that utilizes digital technology as an essential part of the process.

My use of digital techniques allows for the creation of complex, highly detailed images, and unusual, unexpected combinations of elements. My art conveys emotion, offers high levels of expression and creativity, and provokes thought. And it is all very original.

I want my art to be totally unique, and I want my art to cause the viewer to say, “Wow! How creative, how strange, and how weird! What is that odd, strange, distortion in the image?”

My Creative Approach.

As I see it, creating art requires an imagination to go outside the normal boundaries in expressing oneself. Now, by utilizing my special, creative, digital techniques, I can use my imagination and artistic skills to create very unique abstract art images.

Motivated by my favorite art influences of Cubism, Abstractism, and Surrealism, I use my creative skills and specially developed artistic design techniques to create my unique images. I define my work as Digital Abstract Art.

I also have a particular interest in incorporating sci-fi, futuristic, and modernistic, elements in my abstract art creations. But “weird” and “distorted” still define my work.

What results from my creative process are one-of-a kind images – somewhat realistic, yet unrealistic, usually abstract, often in very colorful formats, and yet sometimes in black and white formats.

Stylistically, what I seek to achieve in my art, through intentional distortion, is to remove the exactness from the image, and thereby force the viewer to “think into” the image, in order to “fill in the missing elements”.

My art, then, is always involving in its uniqueness, and it becomes a mental collaboration between me the artist and the viewer. And after all, art should form an immediate and lasting bond with the viewer.

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